Made to be watched and heard.
The written work on this site argues from the text. This is the other way round: a passage taken as a thing to be seen and listened to, and built until it can be. There are two pieces so far.
2 films · 5:47 · drawn in code, not filmed
Two pieces.
Psalm 2
Psalm 2 asks why the nations rage, and answers that
the one enthroned laughs. The film takes the joke literally. Four kings
push their armies about a map with rakes, the way a war room does; then
the camera pulls back, past the castle and the land, until their whole
world turns out to be one region on a larger map — and a rake comes
in from off-screen to move a cross across it, square by square, while
everyone on the board runs for whatever ground is still free. Every frame
is drawn as it plays, cut to the track’s eighty bars.
Psalm 87
Psalm 87 names Zion as the birthplace of the nations
— Egypt, Babylon, Philistia, Tyre, Cush — and says of one after
another, this one was born there. The film is that census: light
leaves the citadel, crosses the globe, and the roll is called at the gate.
There is no video file behind it. Every frame is drawn as it plays, cut to
the soundtrack’s 192 beats.